berkeley

Time For A Typewriter Renaissance?

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Salon

IT WAS 4 P.M. ON A THURSDAY, two hours until the end of Jesse Banuelos’ workday. He was standing behind the front counter of Berkeley Typewriter, his trademark green apron tied around his waist. A dozen broken typewriters — some electric, but most of them manual – were stacked in a corner on the brown linoleum floor.

Forty years ago, the shop was at the top of its game. But during the ’90s, as computers became more affordable, fewer customers bought typewriters or needed them repaired. Many typewriter stores went out of business. Berkeley Typewriter laid off some staff and managed to remain open by offering services like printer, photocopier and fax repair. Banuelos is the store’s only remaining technician who knows how to fix typewriters. He never learned how to type on a computer and for a time he worried that the typewriter industry would soon disappear.

He was wrong. In the last few years, both typewriter sales and repairs have increased at the store. Berkeley Typewriter experienced an increase in overall sales in 2011, moving about two or three a week. It’s not like the olden days, Banuelos said, but it’s enough.

Most of the typewriters that he sells or takes in are manual machines made between the early 1900s and the 1960s. The dozen or so brands displayed in Banuelos’ front window read like a row of multicolored tombstones: Royal, Remington, Underwood, Smith-Corona, Olivetti, Corona, Adler, Oliver.

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Iamsu!’s debut album falls short

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Hot New Hip Hop

It only took one day for Iamsu!’s debut album, Sincerely Yours, to reach iTunes’ top album charts, a feat which is, quite frankly, surprising. Though the album is not a flop, it’s not a work of artistic genius either. There is nothing about this album that differentiates it from his previous seven albums, and many of the songs on it sound alike. The Richmond rapper’s previous mixtapes, Kilt II and Million Dollar Afro (featuring Problem) easily outshine Sincerely Yours in both depth and ingenuity, and while there are some singles, like “Only That Real”, that are solid bangers, the album on the whole doesn’t leave much of an impression, unfortunately.

The production quality of the album is on point and the cover art is amusing, too. But if fans were expecting something new, or even inventive, from the HBK Gang member, they’re going to be sorely disappointed. Compared to his other works, this album lacks intensity and comes across as glib and hasty. The over-amped club bangers are monotonous and the lyrics do little to make the songs stand out. There are a few wildcard tracks that are sprinkled conveniently at the end of the album, but though the change of pace is refreshing, they don’t mesh cohesively with the rest of the work. (Click here to read more)