fancy

Skeme Stays True to his Inglewood Roots — Except When He’s Ghostwriting Other People’s Hits

LA Weekly

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At Time for a Cut Barber Shop in Inglewood, Lonnie Kimble, known to rap fans as Skeme, sits slouched in a faux leather chair, his dreads pulled back in a ponytail and his knees peeking out of holes in his distressed Yves St. Laurent jeans. A bootlegged version of Straight Outta Compton, with Chinese subtitles, plays on the TV, while the shop’s lone barber, Marlon, shaves the head of one of Skeme’s “brothers.”

It’s a sizzling Friday afternoon in September and some of the guys in the shop have wet towels draped over their heads. The rest of Skeme’s crew is camped out in the back of the room, sitting in a semi-circle around the shop’s lone floor fan.

As his friends joke and gossip, Skeme looks on with a smile. These men — his crew and the other customers — are the people he makes music for, releasing all nine of his mixtapes for free. Though he has been offered deals with labels such as Top Dawg Entertainment, he has remained unsigned. He hasn’t upgraded his lifestyle by relocating to Hollywood or the Valley, instead remaining a constant fixture in the neighborhood he grew up in and still calls home.

His music, he says, is tailored specifically for the streets, with themes of drugs, death and money. “These songs were made for Inglewood niggas,” Skeme says, his voice raspy from years of smoking clove cigarettes. “I speak with their tongue. I say the shit that they’re going through.”

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album review: iggy azalea’s ‘the new classic’

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Respect

Ever since “Pussy,” Iggy Azalea’s infamous ode to the female sex organ, went viral on YouTube in 2011, fans and haters alike have been clamoring for more from the young artist. But The New Classic, her oft-delayed, debut album, has been a long time coming.

Buzz for The New Classic traces back to December 2011 when the rapper revealed the title of her album during an interview. In early 2012, she hinted at a June release date, but due to record label conflicts, had to postpone the drop until 2013. By June of 2013, The New Classic, though reputedly “almost finished,” had still not been released. She told MTV that it would be out in September, pushed it back to October, and then changed it to March of 2014.   In February, she announced a new release date in April, though there were conflicting rumors as to the exact day it would come out. Some heard it would be the 14th, others the 15th, and still others thought maybe the 18th. Finally, after over two and a half years of misinformation and false hype, The New Classic was released on Monday, April 21st.

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