Richmond Rapper Wantmore N8 Drops His Socially-Conscious Debut Album For The Masses

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David Duff’s body was on the floor when police arrived at his Richmond, Calif. house shortly before midnight on Dec. 30th. Only 23 years old, Duff was dead of a single gunshot wound. Three days before Duff’s murder, another man was shot and killed at a Richmond intersection. And two days before that, on Christmas night, five people, including a 19-year-old mother and her 2-year-old daughter, were shot at (but not killed) in the city.

Duff’s death marked the last homicide in Richmond during 2015, bringing the death toll to 21 last year (in a city whose population hovers around 107,000), almost two times the rate of 2014. The city consistently ranks as one of the most dangerous cities in the U.S., with 2015 marking the highest death toll since 2011.

“[In Richmond], a beautiful Tuesday night can turn into a deadly Wednesday morning,” says 27-year-old rapper Wantmore N8 (née Nathaniel Flentroy, Jr.). “If you stand outside for 15, 20, 30 minutes, two things will either happen: Somebody comes by shooting or the police comes.”

Despite these harsh realities, N8, who grew up in a south Richmond neighborhood the locals colloquially call “the backstreets,” has never left. “There’s no way around it,” he says. “It’s home.”

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Iamsu!’s debut album falls short


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It only took one day for Iamsu!’s debut album, Sincerely Yours, to reach iTunes’ top album charts, a feat which is, quite frankly, surprising. Though the album is not a flop, it’s not a work of artistic genius either. There is nothing about this album that differentiates it from his previous seven albums, and many of the songs on it sound alike. The Richmond rapper’s previous mixtapes, Kilt II and Million Dollar Afro (featuring Problem) easily outshine Sincerely Yours in both depth and ingenuity, and while there are some singles, like “Only That Real”, that are solid bangers, the album on the whole doesn’t leave much of an impression, unfortunately.

The production quality of the album is on point and the cover art is amusing, too. But if fans were expecting something new, or even inventive, from the HBK Gang member, they’re going to be sorely disappointed. Compared to his other works, this album lacks intensity and comes across as glib and hasty. The over-amped club bangers are monotonous and the lyrics do little to make the songs stand out. There are a few wildcard tracks that are sprinkled conveniently at the end of the album, but though the change of pace is refreshing, they don’t mesh cohesively with the rest of the work. (Click here to read more)